To-night the subtle suggestiveness of those few daring lines, fascinating in their very simplicity, the head thrown back, the half-closed eyes—the inner meaning of the great artist seemed to come to him with a rush. The response of her body was enough that she lazily opened her eyes. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He said nothing. That’s really our choice now, defy—or futility. Clotilde pried Fritz from Lucy’s left leg where he was clinging.
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