She stuffed her violin in its case and rushed into the hallway towards John, who stood outside of 118 with his arms crossed. But this is like—like walking round a house that looks square and complete and finding an unexpected long wing running out behind. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. Later on—well then the time may come.
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