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‘Dieu du ciel, for what do you take me?’ ‘I don’t know,’ he threw at her. The Scot understood that, gently and indirectly, Ruth was asking her husband a question, opening a door if he cared to enter. Here lay a heap of knockers of all sizes, from the huge lion's head to the small brass rapper: there, a collection of sign-boards, with the names and calling of the owners utterly obliterated. Too busy. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. “Nevertheless,” Hill said doggedly, “I am here to speak to you alone. “DON’T!” she said, and wrenched her wrist from his retaining hand. “You’ve no right to badger me like this, Veronica,” he said.

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