The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He worked afternoons, when everybody else went to sleep; he worked at night under a heat-giving light, with insects buzzing and dropping about, with a blue haze of tobacco smoke that tried to get out and could not. ‘And I don’t mind telling you it goes agin’ the grain with me to let you go free and all, missie.
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