Widgett was a journalist and art critic, addicted to a greenish-gray tweed suit and “art” brown ties; he smoked corncob pipes in the Avenue on Sunday morning, travelled third class to London by unusual trains, and openly despised golf. \"Bye, Michelle. A woman isn’t much freer—in reality. Winifred, you are deceived in me. My heart misgives me. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. By 12:30 a. For the rest, she derived her ideas of the married state from the observed behavior of married women, which impressed her in Morningside Park as being tied and dull and inelastic in comparison with the life of the young, and from a remarkably various reading among books.
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