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To-night the subtle suggestiveness of those few daring lines, fascinating in their very simplicity, the head thrown back, the half-closed eyes—the inner meaning of the great artist seemed to come to him with a rush. Those who had seen him slumbering, averred that he slept with his eyes open. I don’t think any surroundings could throw a shadow on you. “I got your note just in time,” he remarked. However, it don't signify. Our ideal had fallen. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.

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