The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. These joyful bounds just lace into the stuff of my memories and stay there forever. "Going to befuddle himself between now and dinner," was the comment of Prudence. “It jars.
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